![]() Mazzoni (“Saggio di un nuovo commento alla Divina Commedia: il Canto IV dell' Inferno,” Studi Danteschi 42 ), pp. There has been a centuries-long debate over the question of whether this 'thunder' ( truono), the noise made by the sorrowing damned, is the same as the thunderclap of verse 2 ( truono ). III (136) has him overcome by sleep ('sonno') so in the first line of this following canto that sleep is broken, thus overriding the sharp line of demarcation that a canto ending or beginning seems to imply, as at the boundary between Inferno II and Inferno III. While it may be positive that he has 'died' to the world of the senses (the view of Pascoli, Valli, and Pietrobono ), it is negative that he has done so out of fear.Īs the last verse of Inf. It is important to remember that this is supernatural 'weather,' and serves to mirror Dante's internal condition. III.130-34.) Now he is awakened by the following thunder. Chimenz, indicating the medieval belief that earthquakes were caused by winds imprisoned in the earth. The last canto had come to its dramatic conclusion with a shaking of the earth accompanied – indeed perhaps caused by – a supernatural lightning bolt that made Dante fall into a fainting 'sleep.' (See, for example, Siro A.
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